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The chart week runs from From 3 August until 5 July , the chart week ran from The Big Top 40 is not officially regarded by the industry or wider media.
The UK Singles Chart began to be compiled in The company regards a selected period of the New Musical Express chart only from to and the Record Retailer chart from to as predecessors for the period prior to 11 February , where multiples of competing charts none official coexisted side by side.
For example, the BBC compiled its own chart based on an average of the music papers of the time; many songs announced as having reached number one on BBC Radio and Top of the Pops prior to are not listed as chart-toppers according to the legacy criteria of the Charts Company.
As of the week ending date 8 November , the UK Singles Chart has had different number-one hits. Before the compilation of sales of records, the music market measured a song's popularity by sales of sheet music.
The idea of compiling a chart based on sales originated in the United States , where the music-trade paper Billboard compiled the first chart incorporating sales figures on 20 July The NME chart was based on a telephone poll.
It was also the first chart to include Northern Ireland in its sample. Additionally, Retailer was set up by independent record shops and had no funding or affiliation with record companies.
However, it had a significantly smaller sample size than some rival charts. Before there was no official singles chart.
The sales diaries were translated into punch cards so the data could be interpreted by a computer. A computer then compiled the chart on Monday, and the BBC were informed of the Top 50 on Tuesday in time for it to be announced on Johnnie Walker's afternoon show.
The postal strike meant data had to be collected by telephone, but this was deemed inadequate for a national chart; by , the BMRB was using motorcycle couriers to collect sales figures.
The s also saw the introduction of the cassette single or "cassingle" alongside the 7-inch and inch record formats; in , major record labels developed a common format for the compact disc single.
Following this, the British Phonographic Industry BPI reduced the minimum price for cassette singles to influence sales figures.
The BPI were reluctant to join and "consider[ed] the option of launching a rival chart"  but in September an agreement was reached, and it joined the CSC.
These computers were to be telephoned six times a week, providing the data to Gallup. In November , the "Next 25" section of the UK singles chart positions 76—, with special rules ceased to be printed in the trade magazine Music Week.
In February the research contract for the chart was put out to tender , with a new four-year contract beginning 1 February offered. On 2 April , the number of eligible formats was reduced from four to three.
In September , a second newsletter was created: Hit Music , a sister publication of Music Week featuring among other charts the singles Top 75 and a revived "Next 25".
In November , the Artist Albums chart extended to a Top Hit Music ceased publication in May with issue number In , Millward Brown began "re-chipping" some retailers' machines, in anticipation of the millennium bug.
In January , MyCoke Music launched as the "first significant download retailer". In June the iTunes Store was launched in the UK, and more than , songs were downloaded during the first week.
The chart show was then rebranded for the chart week ending 16 April, and the first singles chart combining physical-release sales with legal downloads began.
Several test charts and a download-sales chart were published in ; this combination within the official singles chart reflected a changing era in which sales of physical singles fell and download sales rose.
On 17 April , hosts JK and Joel commented during their BBC Radio 1 broadcast that the incorporation of download sales resulted in an approximate doubling of singles sales for the week.
For the first week's combined chart the impact of this doubling was not readily apparent at the top of the chart, although a few singles in the middle positions benefited.
Initially, the British Association of Record Dealers was concerned that the popularity of downloading would siphon business from the High Street.
However, it agreed to the new rules provided that digital sales were only included to a single's sales tally if there was a physical equivalent sold in shops at the time.
Since there was no rule governing a minimum number of pressings, Gorillaz released only vinyl copies of their single " Feel Good Inc.
This allowed it to debut in the chart at number 22 eventually reaching number 2 , and remain in the Top 40 for a longer period.
After pressure from elsewhere in the music industry a second compromise was reached in , which now allowed singles to chart on downloads the week before their physical release.
Three weeks later, " Crazy " by Gnarls Barkley became the first song to top the charts on download sales alone. As part of the revised rules, singles would now be removed from the chart two weeks after the deletion of their physical formats; "Crazy" left the chart 11 weeks later from number 5 and a subsequent chart-topper, Nelly Furtado 's " Maneater ", disappeared from number This was in addition to the existing rule that to be eligible for the chart, the physical single had to have been released within the last twelve months, supporting the general view that the chart reflected the top-selling "current" releases.
Over the coming months digital sales continued to increase whilst physical sales continued to fall; more artists entered the top 40 early, and fewer singles entered the chart directly at number 1.
Whilst initially the proportion of digital sales to physical sales in the combined tally was relatively low, a majority of singles by saw more than 50 percent of their sales coming from online.
Sales through mobile phones are also counted. On 1 January the integration of downloaded music into the charts became complete when all downloads — with or without a physical equivalent — became eligible to chart, redefining the UK singles chart by turning it into a "songs" chart.
This saw a few singles gain publicity: The second song to return to the Top 40 several years after its first hit run was " I'll Be Missing You " by Puff Daddy and Faith Evans , which reappeared at number 32 a decade after it originally topped the chart.
The impetus this time was Puff Daddy's recent performance of a new version of the track at the Concert for Diana at Wembley Stadium.
Two months later Luciano Pavarotti 's " Nessun Dorma " returned to the chart at number 24 during the week following his death 17 years after it was first a hit , climbing to number A drumming gorilla in a Dairy Milk television advertisement helped " In the Air Tonight " by Phil Collins to climb to number 14, 26 years after it was first a hit and 19 years since its last chart appearance as a remix.
None of these songs had been officially re-issued. Following the cancellation of its physical release, " Say It Right " by Nelly Furtado was the first Top 10 hit to pass through its chart career without a single copy appearing in a shop.
The first number-one hit never released physically was " Run " by Leona Lewis , the 11th song in total to reach number one on downloads alone.
Unlike the previous 10, it did not receive a physical release in subsequent weeks although it was released physically overseas, notably in Germany.
The second occurrence was on 20 December , when " Killing in the Name " by Rage Against the Machine became the first song that was not a new release to reach No.
This was the result of a Facebook campaign urging people to download the song in a bid to prevent The X Factor winning song from becoming the Christmas No.
The song originally peaked at No. New rules were added to the chart on 16 September to include one-track CD singles with a limit of 15 minutes and to retail at a minimum of 40p per one-track CD single.
A notable effect of the new chart rules is to demonstrate the enduring appeal of many downloads, especially if a physical copy is no longer or never has been available.
Despite a seven-week gap in its chart run in late while ineligible under the old rules, Snow Patrol's " Chasing Cars " clocked weeks on the chart, a record bettered by only one single in chart history " My Way " by Frank Sinatra with weeks.
Numerous other hits are on for more than 40 weeks. Jeff Buckley 's cover of Leonard Cohen 's " Hallelujah " charted at number 2 on 21 December on downloads alone, following the formation of a ,strong protest group on Facebook to get it above winner of The X Factor Alexandra Burke 's version for the Christmas number one.
Another consequence of the chart rules is that in the event of a new album release by a well-known artist, all or most of its tracks could appear on the singles chart due to buyers downloading individual songs rather than the complete album.
There was no significant example of this until early October , with the cast of High School Musical 2 placing six of its songs in the Top 75 although these were credited to their individual performers and a further four just outside.
A month later, Leona Lewis placed five tracks from her album Spirit simultaneously on the singles chart. Another example was anticipated with the arrival of The Beatles ' catalogue online, with forecasters predicting the entire top 10 being taken up by Beatles songs.
Yet another effect of the new rules was the reappearance in the chart of a number of seasonal favourites during Christmas A total of 19 achieved this without being officially re-issued on downloads alone.
Eleven Christmas hits returned to the Top 75 for Christmas , nine in , eight in and twelve in , with the Mariah Carey and Pogues songs faring best each year.
The first unsigned artist to break the top 5 was Alex Day , who reached number 4 with his single "Forever Yours" in the Christmas chart, beating Coldplay and Olly Murs,  following a large-scale social media campaign.
The death of Michael Jackson on 25 June triggered a surge in sales of his recordings; this was the first time in the download era that the effect of a major star's death on the chart could be observed.
During the week beginning 28 June, a total of 16 of his solo hits plus four more by The Jackson 5 re-entered the chart.
The following week, the momentum continued; 27 Jackson titles charted in the Top 75 21 solo, one with his sister Janet and five by The Jacksons with " Man in the Mirror " charting the highest, at number 2.
The second chart invasion of the download era resulting from the death of a major artist was observed in late July following the death of Amy Winehouse , with seven former singles charting and one other song appearing for the first time.
On 7 December , Ed Sheeran 's " Thinking Out Loud " became the first single to reach number one as a direct result of streaming inclusion.
With no official chart before , a number of periodicals compiled their own charts during the s and s. The full regulations may be downloaded from the Official Charts Company website see " External links ", below.
To qualify for inclusion in the UK singles chart, a single must be available in one or more of the following eligible formats:. There are minimum sales prices for all formats apart from on demand digital streams which may be from subscription or advertising funded providers.
The streams were initially counted at streams equivalent to one paid download or physical sale, but changed to to 1 in January The streams-to-sales ratio for tracks whose sales including streams have declined for three consecutive weeks and have charted for at least ten weeks is changed to In , Brookes was replaced as presenter by Mark Goodier , but returned 18 months later.
Goodier took over from Brookes once more in and continued presenting the show until Jameela Jamil took over from him in January , becoming the first woman to host, alone, the BBC Chart show  before being replaced by Clara Amfo.